Faith Can Move Mountains” is a powerful cover medley performed by Sakshi Zion, seamlessly blending the reggae classics of Twinkle Brothers, Peter Broggs, and Jah Levi into a soulful and uplifting tribute to the strength of faith.
Faith Can Move Mountains – Sakshi Zion
The medley begins with the spiritual resonance of Twinkle Brothers’ harmonies, bringing a deep, rooted sound of hope. As the tempo picks up, the medley flows into Peter Broggs’ stirring lyrics of resilience, building a rhythm that echoes with conviction. The final section brings Jah Levi’s transcendental energy, creating a euphoric sense of overcoming life’s challenges.
Sakshi Zion’s emotive vocals carry each song with clarity, offering a harmonious fusion of roots, reggae, and gospel influences, delivering a message that truly “faith can move mountains.” The medley encapsulates the power of music to inspire, uplift, and bring people together in unity and strength. This performance was part of the Sunday Service at New Thought Center of Hawaii.
Visionary Rasta Inspired Art
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Sakshi Zion singing the devotional chant to the Divine Mother for the Sunday Service at New Thought Center of Hawaii. Amba Bhavani means Mother full of Love & Jaya Jagadambe meaning Victory to the Mother of the Universe.
Amba Bhavani Kirtan by Sakshi Zion
The chant “Amba Bhavani Jaya Jagadambe” is a devotional hymn to the Divine Mother, often associated with Durga, Kali, or other forms of Shakti. This chant invokes the Divine Feminine as Amba Bhavani (Mother Bhavani, the sustainer of existence) and Jagadambe (Mother of the Universe), celebrating her victory and nurturing presence.
A literal translation of the chant is:
Amba: Mother Bhavani: The consort of Lord Bhava (Shiva) or the one who gives existence Jaya: Victory or glory Jagadambe: Mother of the Universe
Thus, the chant can be translated as: “Glory to Mother Bhavani, Victory to the Mother of the Universe.”
For initiates on the spiritual path, this chant holds layers of symbolic and mystical meaning:
Amba Bhavani represents the Divine Feminine as the force of creation, nurturing, and sustenance. Chanting her name calls forth the primal energy (Shakti) within oneself, awakening the Kundalini.
Jaya signifies triumph over the ego and ignorance, urging the aspirant to seek victory over the inner battles that veil self-realization.
Jagadambe acknowledges the universality of the Divine Mother, reminding the initiate that all beings and elements of creation are manifestations of her energy.
By chanting these sacred names, the aspirant aligns their inner being with the cosmic rhythm, invoking divine grace for transformation, protection, and spiritual liberation.
Jagadambe (Mother of the Universe)
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Govinda Jaya Jaya & Hare Krishna Kirtan by Sakshi Zion & friends at last years (2023) annual Interfaith Concert at the Lutheran Church of the Holy Trinity in Kona, Hawaii.
Joining me was Karmic Atese (vocals), Triona (vocals), Kaimalu (keys) & Krishna Chaitanya (mridanga) it was a beautiful experience!
The mantra Govinda Jaya Jaya translates to “Govinda (another name for Krishna), glory, glory.” It celebrates the divine qualities of Lord Krishna, often revered as the embodiment of love, compassion, and joy. This mantra is a cornerstone of Kirtan, a devotional practice originating in the Bhakti Yoga tradition, which seeks to connect with the divine through collective singing.
Similarly, the Hare Krishna Maha Mantra—“Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare, Hare Rama, Hare Rama, Rama Rama, Hare Hare”—is a profound invocation of divine energy, calling upon Krishna and Rama as aspects of the supreme consciousness. Both mantras are imbued with spiritual power, as their vibrations are said to awaken the soul’s innate connection with the divine, purify the heart, and instill bliss and tranquility in the practitioner.
In Kirtan, these mantras create a communal spiritual resonance, uplifting participants into a shared state of devotion and transcendence.
Sri Krishna Govinda
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Om Mata Kali Kirtan by Sakshi Zion & friends at last years (2023) annual Interfaith Concert at the Lutheran Church of the Holy Trinity Lutheran Church of the Holy Trinity in Kona, Hawaii.
Joining me was Karmic Atese (vocals), Triona (vocals), Kaimalu Harmon (keys) & Krishna Chaitanya (mridanga) it was a beautiful experience!
Translation:
“Om Mata Kali”: “Salutations to Mother Kali,” invoking the cosmic mother in her fierce and transformative form.
“Jai Maa”: “Victory to the Mother,” a cry of devotion and celebration of the Divine Feminine.
“Sri Maa”: “Holy Mother” or “Revered Mother,” an acknowledgment of the sacred and nurturing presence of the universal mother.
Mystical Interpretation:
These mantras honor the Divine Mother in her various forms, particularly as Kali, the fierce yet compassionate force of transformation and liberation. “Om Mata Kali” invokes her energy to destroy ignorance, fear, and ego, paving the way for spiritual rebirth. “Jai Maa” is a heartfelt declaration of surrender and gratitude, celebrating her infinite power and grace. “Sri Maa” reveres her as the source of all creation and nurturance, reminding the chanter of her protective, loving presence. Together, these mantras call forth the Divine Mother’s power to guide, protect, and transform the devotee on their spiritual journey.
Blessings and Strength to Interfaith Ecumenical dialogue that continues to inspire and bridge the gaps and divides of religions and politics by bringing more knowledge and unity to our communities and world!
Knowing we are All One ☝️ One Love One Heart One God One Aim One Destiny 💓
Kali Maa
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Jaya Ganesha Kirtan by Sakshi Zion & friends at last years (2023) annual Interfaith Concert at the Lutheran Church of the Holy Trinity in Kona, Hawaii.
Joining me was Karmic Atese (vocals), Triona (vocals), Kaimalu (keys) & Krishna Chaitanya (mridanga) it was a beautiful experience!
Translation:
“Jaya Ganesha”: “Victory to Ganesha” or “Hail Lord Ganesha.” It is an invocation of praise, celebrating Ganesha’s triumph over obstacles and his divine wisdom.
“Ganesha Sharanam”: “I take refuge in Ganesha” or “Ganesha is my sanctuary.” This expresses surrender and trust in Ganesha’s guidance and protection.
Mystical Interpretation:
These mantras invoke the energy of Ganesha, the remover of obstacles and the harbinger of new beginnings. Chanting “Jaya Ganesha” connects the chanter to divine strength, invoking the power to overcome challenges with grace. “Ganesha Sharanam” represents a surrender of ego and trust in the higher intelligence of the universe, symbolized by Ganesha. Together, the mantras serve as a spiritual tool to dissolve inner and outer barriers, align with divine will, and invite clarity, wisdom, and protection on the seeker’s path.
Blessings and Strength to Interfaith Ecumenical dialogue that continues to inspire and bridge the gaps and divides of religions and politics by bringing more knowledge and unity to our communities and world!
Knowing we are All One ☝️ One Love One Heart One God One Aim One Destiny 💓
Sri Ganesha
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Which days of the week are associated with the muses?
In Greek mythology, the Muses are typically associated with different areas of the arts and sciences, but they are not specifically associated with particular days of the week. However, there is a traditional Western association of the days of the week with planets and deities. If we were to loosely associate the Muses with the days of the week based on their domains and the traditional associations, it might look something like this:
Calliope (Epic Poetry) – Monday (associated with the Moon)
Clio (History) – Tuesday (associated with Mars, god of war and bravery)
Euterpe (Music) – Wednesday (associated with Mercury, messenger of the gods)
Thalia (Comedy) – Thursday (associated with Jupiter, king of the gods)
Melpomene (Tragedy) – Friday (associated with Venus, goddess of love and beauty)
Terpsichore (Dance) – Saturday (associated with Saturn, god of time)
Erato (Love Poetry) – Sunday (associated with the Sun)
Please note that this is a loose and modern interpretation and not a traditional association from ancient mythology.
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Native Hawaiian culture is a unique and special piece of the Polynesian melting pot. One of the most famous aspects of this culture is the worship of the god Lono. Hawaii has been called Lono of the Vastness since ancient times. In this article, I will discuss the origin and meaning of the name, as well as its connection to traditional Hawaiian culture.
The name Lono comes from the Hawaiian god Lono, who is credited with bringing the laws and customs that are important to Hawaiian culture and beliefs. Lono is a god of peace and fertility and is known as the King of the Isles and Lord of the Skies. He is seen as a provider of life, fertility, and prosperity. The word lono actually means “plenty” or “abundance”.
The origin of the name Lono of the Vastness comes from an ancient Hawaiian creation story. According to this story, the god Kane and the goddess Hina created four islands: Hawaii, Kauai, Oahu, and Maui. Following the creation of the islands, Kane and Hina decided to name them. They chose the name Lono for Hawaii, based on the god Lono’s bounty of abundance and fertility.
The connection between Lono and Hawaii is strong and deeply embedded in Hawaiian culture. Lono is seen as a source of protection and abundance, and is celebrated in the annual Makahiki festival. The Makahiki festival is a time of spiritual renewal and is meant to honor and thank Lono for the abundance and prosperity that come to the islands.
Lono is also seen as the protector of the islands. Ancient Hawaiian chiefs regularly prayed to Lono in their efforts to bring protection and prosperity to their people. This connection to the spirit world has been seen as an important part of Hawaiian culture and beliefs, and the name Lono of the Vastness reinforces this connection.
The name Lono of the Vastness is an important part of Hawaii’s history and culture. It is a reminder of the god Lono and his role in Hawaiian mythology and beliefs. The connection of the god to the islands can be seen in the celebration of the Makahiki festival, as well as the prayers from Hawaiian chiefs for protection and abundance. These all make clear why Hawaii is sometimes called Lono of the Vastness.
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In ancient times, the use of a musical instrument known as the David harp was common among the Ethiopian Jews, who referred to the instrument as a “kinnor.” A kinnor is a three-stringed instrument that is believed to have derived from the Middle Eastern lyre and is made of an animal skin stretched over a circular wooden sound box. The strings are generally made of sheep gut, which produces a softer and more subtle sound than the strings made of metal which are found in modern harps. The David harvest was named after King David, who is said to have invented the instrument, according to Jewish tradition.
The use of the David harp can be traced back to the ninth century BCE and it is believed to have been brought to Ethiopia through the Jews of the diaspora who were fleeing religious persecution. The Jews of Ethiopia brought the harp with them and it became a part of their culture and practice of ethnic worship. In the 19th century, the instrument was highly popular among Jewish communities and it was used at weddings and religious ceremonies. The harp is also closely associated with the Amharic language, which is spoken in Ethiopia, as it is used to accompany fans during ceremonial singing and story-telling.
The use of a kinnor is mentioned in the Bible in many different contexts, including the story of King David and his use of the harp to calm King Saul (1 Samuel 16:23). The instrument was also seen as a symbol of devotion to God in the ancient world and it is closely associated with sacred practices. In addition, the kinnor was often used in Ethiopian Jewish music to accompany the melodies and rhythms of their religious practices.
The design of the David harp has changed over time and it is believed to be the ancestor of the modern harp. The Ethiopian Jews used a variety of materials in the construction of the David harp and they often decorated the instrument with colorful fabrics or gemstones. The players of the David harp were highly skilled and they often sang and composed their own songs.
Over time, the use of the David harp declined and the instrument was no longer played as frequently as it had been in the past. However, in recent years there has been a revival of interest in the traditional Ethiopian music and the kinnor has seen a resurgence in popularity in some areas.
In summary, the David harp is an ancient instrument that has a long and rich history in Ethiopia. The instrument is closely associated with the practice of ritual worship by the Ethiopian Jews and it has played an important part in Ethiopian culture for centuries. The David harp is also believed to be the ancestor of the modern harp and its use and design have changed over time. In recent years, the instrument has seen a resurgence in popularity and it continues to be used in certain areas.
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We have just unleashed the New Ganja Anthem for 2021! The new anthem “Gimme Di Weed” (Official Music Video) by Sakshi Zion and Benificiall is on that next level!
With guest appearances by Abba T & Empress Cathy (Selassie Ites band), Ono Vegan Food @onoveganfood, and of course The Holy Herb of Creation.
The lyrics are like a prayer or mantra :
Gimme di weed, gimme di good Ganja weed, Jah preserve my soul and give me the seed, the tree, the Tree of Life set a me free, and give length of days, and prosperity.
Special Thanks goes to LZ aka Lucas Zambrano (videographer), Chip Reardin (producer), Abba T and Empress Cathy (Selassie Ites Band), Ono Vegan Food (for the delicious and beautiful Papaya Bowls, the Sacred Ganja & the King of Kings Jah Rastafari for all the inspiration and guidance.
This song was written by Sakshi Zion & Benificiall
I know a place we can go, a place to get away from the snow, a place so deep down inside…. Go within the Doorof your Heart and ye shall find your Divine Sanctuary.. My NEW Music Video is Now Available on YouTube and the song is available on All Streaming Platforms!
Watch and Listen Now!
I am super excited to announce the new release of my single “Sanctuary” along with the Official Music Video. This is by far the best quality recording and video I’ve done yet in my music career. Me and my producer Chip Reardin worked long and hard on this one. We wanted to give you all the best quality song and video from our hearts. With all the uncertainty and struggle in this time, this song is my offering to all souls seeking a refuge from the intensities of today, a small reminder that our place of peace is right within us… our Sanctuary.
You can also listen to the song on All Streaming Platforms..
Music & Lyrics Written by Sakshi Zion & Gabriel Lantz.
Music performed by Sakshi Zion.
Music co-written & performed by Chip Reardin.
Backup vocals by Shaina Marie.
Produced, Mixed and Mastered by Chip Reardin.
Co-produced by Sakshi Zion.
Outro of song “Thunder” inspired by the late Sri Charles Davis of Shanti Villa and Heal The Atmosphere Association. 🕊
Here’s the Lyrics :
I know a place we can go
A place to get away from the snow
A place so deep down inside
Oh Jah will take us higher and higher
Chorus :
Higher, higher, higher, higher, higher
My heart is filled with so much desire
Higher, higher, higher, higher, higher
Oh Jah will take us higher and higher
Rap :
Yo, when I step into the temple
It’s simple, revelations pour out my mental
I’m wishful, for a better world
Visionary star-gate, I make it unfurl
Iyah iiightz, lights, knowledge and wisemind
Yo we haffi know the mystery within divine rhyme
I climb Jacob’s latter, chakras on mi spine
The kundalini serpent unwinds and aligns
It’s time for the union of God and Goddess
Mary Magdalene and Yeshua bless
Incarnated from Osiris and Empress Isis
The oneness of InI consciousness
Supreme embellishment, ancient Kemetic script
Yo, we building the Gods, this wisdom heaven sent
InI represent, cosmic elements
Yo, the masters perfect as the soul resurrects yo
Pre-Chorus :
I know a place we can go
A place to get away from the snow
A place so deep down inside
Oh Jah will take us higher and higher
Chorus :
Higher, higher, higher, higher, higher
My heart is filled with so much desire
Higher, higher, higher, higher, higher
Oh Jah will take us higher and higher
Bridge :
Only InI can save me, under the Bodhi tree wakey wakey
Only InI can save me, I enter into my sanctuary
Only InI can save me, under the Bodhi tree wakey wakey
Only InI can save me, I enter into my sanctuary
Outro :
Thunder, Thunderation, we the Rastafarites of Jah nation
Thunder, Thunderation, we create a healing vibration
Thunder, Thunderation, we the Rastafarites of Jah nation
Thunder, Thunderation, we create a healing vibration
We create a healing vibration, we create a healing vibration
We create a healing vibration, we create a healing vibration
You can also find my music on SoundCloud, Tidal, Pandora, Amazon Music and more… For all my most relevant links in one easy place, go here : http://linktr.ee/sakshizion
Life Coach, Entrepreneur, Social Media Expert, Musician, Yoga Teacher, World Traveler
of your Heart 
and ye shall find your Divine Sanctuary.. My NEW Music Video is Now Available on YouTube and the song is available on All Streaming Platforms! 
and Listen
Now!