Prithvi Mudra, translated as “earth gesture,” is a hand mudra, or energy seal, that is commonly used in yoga, meditation, and other spiritual traditions for calming the mind and extending grounding energy. Prithvi Mudra is believed to represent the element earth, and its practice is thought to bring balance and stability to both physical and emotional health.
The mudra is performed by pressing the tips of the ring finger and thumb together while keeping the other three fingers extended. This seal is gentle and peaceful, and it is believed to calm the mind and connect one to the earth, thereby inducing a sense of calmness and stability.
In addition to its calming effects, Prithvi Mudra is believed to have a number of health benefits. It is thought to improve digestion, strengthen bones and joints, nourish the skin, and regulate metabolism. Practicing this mudra is also said to reduce symptoms of stress, fatigue, and insomnia.
Practicing Prithvi Mudra is also thought to improve concentration, intuition, and mental clarity. It is believed to increase focus and aid in both physical and spiritual growth. Additionally, it is used to help cultivate gratitude, generosity, and peacefulness.
In terms of meditation, Prithvi Mudra acts as a grounding tool that helps the practitioner remain grounded and present. It can be practiced anytime, such as before or during seated meditation or pranayama breathing exercises. It can also greatly help the mind remain relaxed and focused during periods of stress and anxiety.
Overall, Prithvi Mudra is a powerful gesture for physical and mental wellbeing that can help to promote a sense of calm, connection, and balance. It is an easy hand mudra to incorporate in everyday life and can provide an array of physical and mental health benefits.
Prithvi Mudra, or Earth Mudra, is an ancient yogic gesture originating in India however is used in various religions around the world today. Although it is predominantly used in Hindu and Buddhist belief systems, Prithvi Mudra also appears in Christian iconography as an embodiment of Jesus Christ.
Prithvi Mudra is a hand position in the practice of yoga, used to honor and connect with the elemental energy of the earth. The mudra itself is made by extending the thumb finger, while folding the other three fingers against the palm. It is believed that Prithvi Mudra creates a sense of groundedness in one’s physical and spiritual foundations.
This spiritual grounding of the earthly world and humanity of Jesus may be why several Christian iconographers have included Prithvi Mudra in their depiction of Jesus in his human form. Some examples of this can be found in the art of El Greco, Michelangelo and other renowned masters. As Christianity emphasizes the spiritual importance of rootedness in the physical body, Prithvi Mudra helps to convey Jesus’ connection to humanity and his ability to understand and sympathize with the everyday struggles of life.
In the Catholic & Eastern Church, Jesus’ presence and embodiment of the earthly world is most notably conveyed in the iconic Eucharistic ceremony. During the ceremony, Jesus breaks bread and says, “This is my body, given for you; do this in remembrance of me.” This gesture of breaking bread, which is connected to Prithvi Mudra in Yoga, brings Jesus’ physical manifestation of the earthly self closer to worshipers.
Apart from his role as an embodiment of groundedness, the use of Prithvi Mudra in Christian art can also be seen as a sign of unity and mutual respect between different religious traditions. Jesus’ inviting gesture combines the power and potential of both Christianity and Yoga and communicates a message of harmony and acceptance between diverse spiritual creeds. Thus, Prithvi Mudra’s utilization in Christian iconography serves as a powerful reminder of how all beings share in the same fundamental needs and goals and how religious and spiritual practices should be used to unite, rather than divide, humanity.
Prithvi Mudra has been found at times a prominent feature in Christian art, as it encapsulates Jesus’ presence on Earth as well as conveys a unified message of acceptance among different religious traditions. By combining the spiritual, physical and symbolic aspects of the mudra, Christian iconographers help to bring Jesus’ relationship to the earthly world to life for people of all faiths and beliefs.
Thanks for visiting my blog! To learn more about the Law of Attraction and to start your own journey with a team of like-minded and inspired Entrepreneurs, forging a way to make the world a better place for all, just like you…
Click here & listen to our Daily Mastermind Call (recorded live Mon-Fri) & also I invite you to learn more about our premiere Home Business Academy here. I’m here to help! See You on the Inside!
In ancient times, the use of a musical instrument known as the David harp was common among the Ethiopian Jews, who referred to the instrument as a “kinnor.” A kinnor is a three-stringed instrument that is believed to have derived from the Middle Eastern lyre and is made of an animal skin stretched over a circular wooden sound box. The strings are generally made of sheep gut, which produces a softer and more subtle sound than the strings made of metal which are found in modern harps. The David harvest was named after King David, who is said to have invented the instrument, according to Jewish tradition.
The use of the David harp can be traced back to the ninth century BCE and it is believed to have been brought to Ethiopia through the Jews of the diaspora who were fleeing religious persecution. The Jews of Ethiopia brought the harp with them and it became a part of their culture and practice of ethnic worship. In the 19th century, the instrument was highly popular among Jewish communities and it was used at weddings and religious ceremonies. The harp is also closely associated with the Amharic language, which is spoken in Ethiopia, as it is used to accompany fans during ceremonial singing and story-telling.
The use of a kinnor is mentioned in the Bible in many different contexts, including the story of King David and his use of the harp to calm King Saul (1 Samuel 16:23). The instrument was also seen as a symbol of devotion to God in the ancient world and it is closely associated with sacred practices. In addition, the kinnor was often used in Ethiopian Jewish music to accompany the melodies and rhythms of their religious practices.
The design of the David harp has changed over time and it is believed to be the ancestor of the modern harp. The Ethiopian Jews used a variety of materials in the construction of the David harp and they often decorated the instrument with colorful fabrics or gemstones. The players of the David harp were highly skilled and they often sang and composed their own songs.
Over time, the use of the David harp declined and the instrument was no longer played as frequently as it had been in the past. However, in recent years there has been a revival of interest in the traditional Ethiopian music and the kinnor has seen a resurgence in popularity in some areas.
In summary, the David harp is an ancient instrument that has a long and rich history in Ethiopia. The instrument is closely associated with the practice of ritual worship by the Ethiopian Jews and it has played an important part in Ethiopian culture for centuries. The David harp is also believed to be the ancestor of the modern harp and its use and design have changed over time. In recent years, the instrument has seen a resurgence in popularity and it continues to be used in certain areas.
Thanks for visiting my blog! To learn more about the Law of Attraction and to start your own journey with a team of like-minded and inspired Entrepreneurs, forging a way to make the world a better place for all, just like you…
Click here & listen to our Daily Mastermind Call (recorded live Mon-Fri) & also I invite you to learn more about our premiere Home Business Academy here. I’m here to help! See You on the Inside!
Q. What connects all the elements in this title? A. Joseph and Asenath.
Asenath אסנת was the daughter of Potiphar, the high priest of On (Heliopolis), who became the wife of the Old Testament Joseph. We don’t have much information about Asenath from the Torah, but we do get a mythical history in ‘Joseph and Asenath’, a very early apocryphal story from about the 2nd century.
In his ‘The Lost Gospel’, Simcha Jacobovici makes the case that ‘Joseph and Asenath’ is actually a retelling of the Gospel story of Jesus and Mary Magdalene. Which is why the Torah Joseph is being called here a Son of God, and why the Torah Asenath is living in a tower (a Magdal). Just like Rapunzel, Asenath is being symbolically portrayed as being Mary Magdalene, the Princess of the Tower.
Thus it is likely that ‘Joseph and Asenath’ is pesher – a story composed from historical events, that actually reflects and represents contemporary events. Not only does pesher assist in prophesy via precedent, it also hides the true meaning of the contemporary story, which can then safely encode heretical elements.
In addition to this, Joseph is quite obviously being portrayed as Helios, the Sun-god. Which is why we might speculate that ‘Joseph and Asenath’ is more likely a Nazarene text, than a Christian text.
Joseph is described as: … The Saviour … The Son of God … Riding a chariot, with four white horses … Wearing a purple cloak … And a crown with 12 rays, like the rays of the Sun.
This is an overt description of Helios wearing his celestial crown and cloak, riding in his celestial chariot across the heavens pulled by four white horses. ‘Joseph and Asenath’ is not simply a pesher story about Jesus, it is a pesher story about the Solar System.
Asenath is described as: … Living in a Tower (a Magdal) … Having seven attendants, looking like stars
Joseph and Asenath meet, but are not entirely suited to each other (Jewish and Pagan). Then Joseph, as prime minister of all Egypt, has urgent business and goes away for seven days.
While Joseph is away, Asenath throws off her bright clothing and jewellery, and clothes herself instead with black robes covered in ashes. Then she ties her waist with sackcloth, and fasts for all seven days. The ashes are a sign of death, so it is almost as if Asenath is dead.
But then Joseph returns, firstly in spirit form, and then in human form. So Asenath loosens her waist sackcloth, takes off her black garments, shakes off the ashes of death, washes her face with water, and reclothes herself in the bright and splendid clothes of marriage. For she is to marry Joseph.
Quite clearly, this is the origin of the Snow White story, where the bright and white Snow White also has seven dwarf attendants. And like Asenath she too has a corset around her waist to make her thinner, until she ‘dies’. And she too is kissed by a handsome prince, who brings her back to life and marries her.
But as was explained previously, the Snow White fairytale was based upon the orbit of the Moon. Just like Snow White and Asenath, the Moon is brightly jewelled in the night sky, and followed by seven star-like planetary attendants. The Moon is bright and joyful until a sackcloth or corset is wrapped around her, making her appear thinner and thinner in the night sky until she dies. This is the blackness of the New Moon – the death Snow White and the death of Asenath.
Only now can the dead New Moon Selene meet the handsome Helios – an orbital arrangement that can only happen at the New Moon, when Selene is dark and dead. This is Joseph-Helios meeting Asenath-Selene or the Princely-Helios meeting Snow White Selene. The celestial prince and princess then kiss, at the beginning of a Solar eclipse. And as the eclipse proceeds Helios-Joseph-Prince and Selene-Asenath-Snow-White can be seen in flagrante delicto in their celestial bridal chamber in the heavens above, locked in their orbital embrace.
So the fairytale of Snow White is as old as the Moon, and as old as the Gospels. Of course this does not imply that Joseph and Asenath or Jesus and Mary Magdalene were mythical characters. Royalty were expected to mimic the celestial gods in the heavens above, so the celestial syzygy and eclipse had to take place in the royal bridal chamber, as well as in the heavens above.
As Above, So Below. A royal-celestial syzygy. A cosmic consummation.
Images: a. Helios-Sun rides his chariot across the heavens. b. Helios with his Sun-ray crown and purple cloak, on a Nazarene Jewish zodiac. c. Helios-Joseph-Prince kisses Selene-Asenath-Snow White, to bring the dead New Moon back to life. d. Helios-Joseph-Prince and Selene-Asenath-Snow White, with the tower of Repunzel-Mary-Magdalene in the background.
Reposted from Ralph Ellis
Helios-Sun rides his chariot across the heavens.Helios with his Sun-ray crown and purple cloak, on a Nazarene Jewish Zodiac.Helios-Joseph-Prince kisses Selene-Asenath-Snow White, to bring the dead New Moon back to life.Helios-Joseph-Prince and Selene-Asenath-Snow White, with the tower of Repunzel-Mary-Magdalene in the background.
Is there a connection to Shiva and Pan, the Green Man and the Horned God of antiquity?
Throughout the world and throughout history, we find certain archetypal gods of nature have served as the basis for fire worship and worship of the Earth itself. These gods of nature take many forms, but have underlying similarities, of which two of the most well-known are Shiva of traditional Hinduism and Pan of ancient Greek culture. A third god, the Green Man, is a common figure in European culture and folklore, while a fourth, the Horned God associated with European witchcraft is closely related to both Pan and the Green Man. Let us examine the parallels between these 4 gods, and argues that each embodies the same core values and principles, but manifests them in different ways.
Shiva, Pan, the Green Man & the Horned God
Shiva is a major deity in Hinduism, and is most commonly associated with destruction and transformation. He is known by many other names, such as Mahadeva (“Great God”), Maheshvara (“God of Destruction”), Sadashiva (“Eternal God”), and Rudra (“Roarer”). Shiva is commonly depicted as a fierce, wild and untamed figure, and is sometimes seen as a symbol of death, but also of resurrection and renewal.
Pan, who is known by many other names, is a Greek god of nature, the wild, shepherds, flocks, and hunting. Pan is often depicted with the hindquarters, horns, and ears of a goat and is often seen as a highly sexual figure. He has a long history as a god of fertility and is associated with the god Dionysus, who is associated with intoxication, erratic behaviour, and nature’s uncontrollable forces.
The Green Man is an ancient figure found in many European cultures and is often depicted with leaves or foliage sprouting from his body or face. He is usually considered an embodiment of the natural world and is often seen as the personification of the cycle of life, growth, death, and renewal found in nature.
The Horned God, who has many names and manifestations, is closely related to Pan, and like Pan and the Green Man, he is seen as a God of nature and fertility. He is commonly depicted with horns, as well as a beard and often with a club or other weapon. This figure is closely associated with European witchcraft, and has been called a “lord of the forest” and the personification of masculine power and strength.
Similarities Between the Gods
The four figures discussed above share a number of striking similarities. They are all closely associated with nature, particularly with wilderness and the cycles of life and death found in nature. They also share a close association with fertility and with the power of wild and possibly dangerous forces. All of them are seen as embodiments of masculine energy and strength, but also as symbols of renewal and transformation.
In addition, all of the figures are often seen as symbols of fire, and each has his own connection with that element. Shiva is often described as the god of fire, and the sign of his third eye is the symbol of the flame. Pan is often thought of as a god of fire, while the Green Man is a symbol of burning and rebirth, of which fire is an important part. Lastly, the Horned God is closely associated with bonfires and flame, and is a powerful symbol of the regenerative power of fire.
Shiva, Pan, the Green Man, and the Horned God – share many similarities. Each is a god of nature associated with fertility, regeneration, strength, and power. Furthermore, each is imbued with the element of fire, which is a powerful symbol of transformation, life and death. Despite their apparent differences, they can be seen as manifestations of a single, underlying idea: the timeless power of nature, and the forces of life and death that it contains.
Art by Art is Well ????️
Thanks for visiting my blog! Click here to be mentored by me personally and I’ll even show you how I make simple recurring income with this blog and how you can do too with a blog just like this!
The Narasimha avatar of Vishnu is one of the most popular and important avatars of Vishnu. It is believed to have occurred at the end of the Treta Yuga. The story of Narasimha as told in Hindu mythology is as follows:
The demon king Hiranyakashipu had been granted a boon by Lord Brahma that nothing on earth, neither man nor animal could kill him. Knowing of his invincibility, Hiranyakashipu grew increasingly powerful, prideful and arrogant. As his tyranny worsened, the people of the world started to suffer from his rule.
In response to Hiranyakashipu’s wickedness, Lord Vishnu took the form of Narasimha (half-man, half-lion) in order to save his devotee Prahlada and the people of the world. Vishnu took the form at dusk, knowing that neither Hiranyakashipu nor anyone else would be able to recognize him. Vishnu appeared with terrifying arms, four faces, and power greater than anyone had ever seen before.
When Hiranyakashipu challenged Vishnu to a fight, Vishnu grabbed the demon king and placed him on his lap. Since Hiranyakashipu had been granted that nothing on earth would kill him, and Vishnu was neither man nor animal, the Avatar was able to tear apart the demon king with his fingernails.
This incident marked the end of Hiranyakashipu’s tyranny and the beginning of peace in the world. Vishnu’s act of protecting Prahlada and destroying Hiranyakashipu, demonstrated the power of devotion and taught the world that evil forces will never win in the face of absolute faith and love.
Since then, Lord Vishnu in the form of Narasimha has become one of the most venerated and popular deities in Hinduism. His image can be found in various temples and other places of worship all over the world. Narasimha is also worshipped during festivals and special occasions, usually in the form of prayers and Thirumanjanams (fire sacrifices).
Art by Art is Well ????️
Thanks for visiting my blog! Click here to learn more from me & I’ll even teach you how to make money with a blog just like this!
“We see how the effulgence arising from the Lord Ram, who overcame Ravana in a fair fight, is as brilliant as ever; and since it has an abiding inviolability, no power on earth can undermine it.”
From “God, The Almighty: Commonly Entitled The Second Coming of the Lord,” A Talk Given on the Occasion of the Silver Jubilee of Emperor Haile Selassie I
“The victory of Lord Rama signifies the victory of righteousness and justice. In the same way, we can transform our own lives to a victory of righteousness and justice over all the forces of evil that enslave mankind.”
From a speech given by Haile Selassie I at the 62nd Convention of the Supreme Council of The Order of DeMolay, Washington, D.C, October 2, 1966.
“Lord Rama is an example for whole of mankind, for he was a merciful and just ruler who accepted punishment for his mistakes as readily as he accepted victory for his righteous actions.”
From a speech given on the occasion of the 1975 Silver Jubilee celebrations of Emperor Haile Selassie I.
Haile Selassie I claimed he was a descendant of Lord Rama through his son Kush, who was the father of the Kushites, whom the Ethiopians are historically known as.
Lord Rama & Goddess Sita
Prince of Peace Jah Rastafari
Thanks for visiting my blog. Click here to learn more about how you can make money sharing with you love with a blog just like this!
In rural Ireland, Imbolc is considered by many to be the first day of Spring, and coincides with Lá Fhéile Bhride, the Feast day of Saint Brigid.
The Druids regarded ‘Brid’ , as a most powerful and beloved Goddess, and on this day bonfires were lit in her honour.
Saint Brigid, known as Mary of the Gael, was born around 450 in Faughart, County Louth in Ulster. Her father, Dagda, was a Druidic High King of the Tuatha Dé Danann and her mother was a Queen called Brocessa.
One day her father took Brigid to the court of a rival King, and, leaving her outside to wait for him, he asked the King to marry Brigid to one of his sons.
When the King asked to see the girl, they found Brigid giving away her father’s sword to a beggar.
This sword had been presented to Dagda by the King, who said, ‘I cannot accept a girl into our family who holds a sword so cheaply’, and so it was that Brigid avoided being married.
Being very beautiful, Brigid had numerous suitors. Her father, still eager to marry her off, was not impressed by her conversion to Christianity or her vow of perpetual chastity, and remained determined to find her a husband.
So at the age of sixteen, Brigid implored Christ to make her so unattractive that nobody would want her as a wife.
Her prayer was answered; one of her eyes became grotesquely huge, while the other eye shrank – and it is said that upon seeing this, her father finally allowed her to become a nun.
But it is said that during the ceremony, Angels put a veil over her head, and her beauty was instantly restored, only this time even more luminous.
St Brigid received monastic tonsure at the hands of St Mael of Ardagh and was granted by the King of Leinster the possession of a plain called the Curragh, where she built herself a hermitage under a large oak tree, called Kill-dara, or Cell of the Oak.
As the leader of a community which later became Ireland’s most renowned center of learning, Brigid became an important figure in the ancient world, eventually assuming the role of Bishop.
Brigid set up an eternal flame to represent the Holy Spirit’s constant presence. The flame was extinguished several hundred years later during the Reformation, but it burns again today in Kildare.
St Brigid died on 1 February 524. She was buried at Kildare, and her relics were transferred to Downpatrick during the Viking invasions.
She is regarded as patroness of Ireland, second only to the Mother of God, and is venerated in northern Italy, France, and Wales.
Blessed St Bride’s day.
Gabhaim molta Bride. I praise Brigid.
Ionmhain í le hÉireann Beloved in all Ireland
Ionmhain le gach tír í Beloved in all countries
Molaimis go léir í Let us all praise her.
Lóchrann geal na Laighneach The bright torch of Leinster
‘Soilsiú feadh na tire Shining throughout the country
Ceann ar óghaibh Éireann The pride of Irish youth
Ceann na mban ar mine The pride of our gentle women.
Tig an gheimhreadh dian dubh The house of winter is very dark
Gearradh lena ghéire Cutting with its sharpness
Ach ar Lá ‘le Bríde: But on Brigid’s Day
Gar dúinn Earrach Éireann. Spring is near to Ireland..
Saint Brigid
Thanks for visiting my blog! Click here to learn more about how you too can earn money with a blog like this!
The Ramayana is an ancient epic poem that tells the story of Rama and Sita, an iconic Hindu deity couple. It is a revered text within Hinduism and esteemed by followers as one of the greatest works of world literature. As part of the larger Hindu tradition, Rama and Sita have come to symbolize many things including ideal righteousness, loyalty, and the divine power of true love.
Sita and Rama have become legendary figures in Hinduism and throughout South Asia due to the prevalence of the Ramayana. They represent the perfect couple and exemplify the characteristics of dharma, devotion, and sacrifice. Devotional texts often portray Sita as the link that binds Rama to his personal dharma in performances of moral and dutiful acts. She is also venerated for her selfless devotion to her husband and her willingness to sacrifice her own safety and well-being in order to bring honor and virtue to their relationship.
Rama is seen as the epitome of morality and devotion. He is a great warrior renowned for his courage on the battlefield and skill in fighting the demoniac forces of evil. As an incarnate of the god Vishnu, Rama is a source of divine strength that inspires his followers to rise to heroic heights and achieve great feats of devotion. In the Ramayana, Rama represents the highest ideals of dharma, and his willingness to practice them even when they cost him great hardship or personal sacrifice is seen as a source of moral inspiration.
The legends of Sita and Rama have been very influential within Hinduism and shaped the way devotional expression to the deity couple has developed over time. Numerous stories and devotional songs have been written about their relationship and have become part of the Ramayana tradition. As a result, the characters of Sita and Rama have been woven into the fabric of many Hindu communities, and their stories are told and re-told throughout Hindu literature and culture.
In conclusion, the legends of Sita and Rama are deeply shared within Hinduism, and their stories represent a powerful example of dharma and loyalty. They have become an integral part of Hindu tradition, and followers often look to their relationship as a source of moral guidance. As two of the most influential deities in Hinduism, Sita and Rama are symbols of true love and devotion.
🕉️
Sita and Rama, two timeless souls, Who walked by faith, made life their goal. Oaths of love and promises they made, Their love so strong, it could never fade.
Rama strong, brave, and true, An epic hero, that much is true. His love for her like none before, Made many a heart even more sore.
Sita, the beautiful and brave, She shed light in life’s darkest cave. A lesson of pure devotion, An archetype for modern woman.
A love story for all to hear, Of devotion and strength, so sincere. Their love through thick and thin, Their legacy, forever within. 💓
Divine Lovers Sita & Rama
Thanks for visiting my blog! Click here to get more info on how to make money yourself with a blog like this!
In the early centuries of Christianity, a diverse array of cults emerged that were considered to be heterodox in the eyes of the early church fathers. One of the most enigmatic of these cults was the Naassenes, a sect of early Gnostic Christians who believed in a complex amalgam of Jewish and Greek traditions. This paper will analyze the rituals, beliefs, and veneration of the snake associated with the Naassenes, and how these elements encapsulate their an unusual Gnostic worldview.
Naassenes veneration of the Serpent Cross
The Naassenes were based in the region of Phrygia, where the cult figure Alexander is thought to have been born and raised. Although little is known of their origins, they exhibit a hybrid of Jewish and Greco-Roman influences. This combination is reflected in their practice of incorporating certain rituals and associated symbols into their beliefs, including the veneration of the snake.
The practice of honoring the snake was incredibly important to the Naassenes, and they saw it as a way to contact the divine. They viewed the snake as a spiritual signpost of sorts, as they held it to be a representation of Adam’s wisdom. They believed that the snake represented the secret knowledge of the imago dei (the divine image) and heavenly perfection, and saw it as a conduit for the flow of the Holy Spirit. As such, veneration of the snake was seen as a way to honor the ultimate source of wisdom and knowledge, which was in turn a way to seek spiritual transformation and growth.
Aside from the veneration of the snake, the Naassenes also incorporated other symbolic practices into their ritual. One example was their ritual of water baptism, which was thought to be a symbol of purification and enlightenment. The Naassenes also included rituals associated with fasting, with their members fasting in preparation for meditation and contemplation, as well as spiritual renewal. Interestingly, the Naassenes honored a rather eclectic pantheon of deities, including figures from both the Old and the New Testaments, as well as several Greco-Roman figures, suggesting the inclusion of these gods into the cult’s beliefs.
The veneration of the snake associated with the Naassenes suggests the presence of a unique worldview within the cult. By venerating the snake, the Naassenes could draw on an animistic conception of the spiritual realm, even while also affirming monotheism. Furthermore, the inclusion of Christian and Greco-Roman elements in their rituals and beliefs shows that they were no strangers to syncretic religious practices. Thus, the veneration of the snake combined with the hybrid nature of their religious views indicates that the Naassenes were Gnostics rather than simply a group of Christians who happened to have unusual beliefs.
The Naassenes sect were known only through the writings of Hippolytus of Rome.
Abraxas Stone or Gem from The Gnostics and their remains by Charles W. King, 1887. The letters are “ΙΑΩ” or “Iao” and “ΣΕΜΕΣ ΕΙΛΑΜ”, “Eternal Sun”.
The Naassenes claimed to have been taught their doctrines by Mariamne, a disciple of James the Just. The retention of the Hebrew form shows that their beliefs may represent the earliest stages of Gnosticism. Hippolytus regards them as among the first to be called simply “Gnostics”, alleging that they alone have sounded the depths of knowledge.
Naassene Sermon : The Naassenes had one or more books out of which Hippolytus of Rome largely quotes in the Philosophumena, which professed to contain heads of discourses communicated by James, the brother of Jesus, to Mariamne. They contained treatises of a mystical, philosophic, devotional, and exegetical character, rather than a cosmological exposition. A very interesting feature of the book seems to have been the specimens it gave of Ophite hymnology.
The writer (or writers) is possibly Greek. He does indeed use the Hebrew words Naas and Caulacau, but these words had already passed into the common Gnostic vocabulary so as to become known to many unacquainted with Hebrew. He shows a great knowledge of the religious mysteries of various nations. For instance, he dilates much on the Phrygian rites, and the whole section seems to be a commentary on a hymn to the Phrygian Attis.
Creation of Adam, Byzantine mosaic in Monreale
First Man
The Naassenes so far agreed with other Ophites that they gave to the first principle the names First Man and Son of Man, calling him in their hymns Adamas.
The First Man (Protanthropos, Adamas); the fundamental being before its differentiation into individuals (cf. Adam Kadmon).
The Son of Man; the same being after it has been individualized into existing things and thus sunk into matter.
Instead, however, of retaining the female principle of the Syrian Ophites, they represented their “Man” as androgynous; and hence one of their hymns runs “From thee, father, through thee, mother, the two immortal names.” They declared that “the beginning of Perfection is the gnosis of Man, but the gnosis of God is perfected Perfection.”
Although the myths of the earlier Ophite system are but lightly touched on, there is some trace of an acquaintance with them, as for example the myth that Adam was brought forth by the Earth spontaneously; he lay without breath, without motion, without stirring, like a statue; being made after the image of the First Man, through the agency of several Archons. In order for them to seize hold of the First Man, there was given unto Adam a soul, that through this soul the image of the First Man above might suffer and be chastened in bondage.
The Naassenes taught that their primary man was, like Geryon, threefold, containing in himself the three natures to noeron, to psychikon, to choikon; and so that in Jesus the three natures were combined, and through him speak to these different classes of men. From the living waters which he supplies each absorbs that for which his nature has attraction. From the same water the olive can draw its oil, and the vine its wine, and in like manner each other plant its special produce: chaff will be attracted by amber, iron only by the magnet, gold only by the prickle of the sea-hawk, so each according to his nature attracts and imbibes a different supply from the same source.
Three classes : Thus there are three classes of men and three corresponding churches :
Material (the Bound)—the heathen chiefly captive under the dominion of matter.
Psychic (the Called)—ordinary Christians.
Spiritual (the Elect)—out of the many called, the few chosen members of the Naassene sect.
Creation
The Naassene work known to Hippolytus would seem to have been of what we may call a devotional character rather than a formal exposition of doctrine, and this perhaps is why it is difficult to draw from the accounts left us a thoroughly consistent scheme. Thus, as we proceed, we are led to think of the first principle of nature, not as a single threefold being, but as three distinct substances; on the one hand the pre-existent, otherwise spoken of as the Good being, on the other hand the “outpoured Chaos,” intermediate, between these one called Autogenes, and also the Logos. Chaos is naturally destitute of forms or qualities; neither does the preexistent being himself possess form, for though the cause of everything that comes into being, it is itself none of them, but only the seed from which they spring.
Adam and Eve with the Serpent, Michelangelo
The Logos is the mediator which draws forms from above and transfers them to the world below. Yet he seems to have a rival in this work; for we have reference made to a fourth being, whence or how brought into existence we are not told, a “fiery God,” Esaldaios, the father of the idikos kosmos. That is to say, it was this fiery being, the same who appeared to Moses in the burning bush, who gave forms to the choical or purely material parts of nature. It is he who supplies the fiery heat of generation by which these forms are still continued. In this work the Logos had no part, for “all things were made through him, and without him was made nothing.” The “nothing” that was made without him is the kosmos idikos.
On the other hand, it is the Logos, who is identified with the serpent, and this again with the principle of Water, who brings down the pneumatic and psychical elements, so that through him man became a living soul. But he has now to do a greater work, namely, to provide for the release of the higher elements now enslaved under the dominion of matter, and for their restoration to the good God.
Generation
The Mysteries of the ancient world, it is taught, pertained to generation. The Lesser Mysteries pertained to the carnal, and the Greater dealt with the spiritual. Within the seed—sperma—is the Mystery of the Logos, as it is the original cause of all things that exist.
For the restoration of the chosen seed an essential condition is the complete abandonment of sexual intercourse between men and women. The captive people must pass out of Egypt; Egypt is the body, the Red Sea the work of generation; to cross the Red Sea and pass into the wilderness is to arrive at a state where that work of generation has been forsaken. Thus they arrive at the Jordan.
The Cross and Sacred Serpent Christ
This is the Logos through whose streams rolling downward forms had descended from above, and generations of mortal men had taken place; but now Jesus, like his Old Testament namesake, rolls the stream upwards, and then takes place a generation not of men, but of gods, for to this name the new-born seed may lay claim (Psalms 82:6). But if they return to Egypt, that is to carnal intercourse, “they shall die like men.” For that which is born from below is fleshly and mortal, that which is born from above is spiritual and immortal. This is the divine bliss—hidden, and yet revealed—of that which was, is, and will be—the kingdom of heaven to be sought for within.
The specimens already given present but a faint idea of the author’s method of scripture exegesis. Hippolytus declares that the verses of Paul in Romans 1:27 contain the key to their whole system, which he alludes to with a great deal of innuendo:
“And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompense of their error which was meet.”
This “unseemly” being their Mystery of divine bliss, he states; “that heavenly, sublime, felicity, that absence of all form which is the real source of every form.” And baptism applied to none save the man who was introduced into this divine bliss, being washed with the Living Water, and “anointed with the Ineffable Chrism from the Horn, like David [was], not from the flask of clay, like Saul, who was fellow citizen with an evil daemon of fleshly desire.”
The Hermetic alchemists asserted that the Great Work was an opus contra naturam; Paul’s use of “against nature” (παρὰ φύσιν, Romans 1:26) may have been given a similar allegorical meaning by the Naassene exegete. It is certainly possible that the Naassenes viewed homosexuality as exemplifying their concept of androgyny. Carl Jung remarked, “such a disposition should not be adjudged negative in all circumstances, in so far as it preserves the archetype of the Original Man, which a one-sided sexual being has, up to a point, lost.” But as to evidence of any “unseemly” acts, Hippolytus writes that in every way, “they are not emasculated, and yet they act as though they were.”
Exegesis
The writer, it will be seen, makes free use of the New Testament. He seems to have used all the four Gospels, but that of which he makes most use is St. John’s. He quotes from Paul’s epistles to the Romans, Corinthians (both letters), Galatians, and Ephesians. There is a copious use also of the Old Testament; and besides we are told there is a use of the Gospel according to the Egyptians, and that of Thomas. But what most characterizes the document under consideration is the abundant use of pagan writings.
For the author’s method of exegesis enables him to find his system in Homer with as much ease as in the Bible. Great part of the extract given by Hippolytus is a commentary on a hymn to the Phrygian Attis, all the epithets applied to whom are shown when etymologically examined, to be aspects of the Logos. One of the first of the titles applied to Attis is papas—here we are taught to recognise him who brought to rest (epause) all the disorderly motion that prevailed before his appearing. To him all things cry paue, paue, ten asymphonian.
Serpent Grail
The serpent
Every temple, naos, shows by its title that it is intended for the honour of the serpent naas as “the Moist Essence,” of the universe, without which “naught at all of existing things, immortal or mortal, animate or inanimate, can hold together.” Furthermore, “all things are subject to Him, and He is Good, and has all things in Him … so that He distributes beauty and bloom to all that exist according to each one’s nature and peculiarity, as though permeating all.”
G.R.S. Mead has suggested that all of this is in reference to the Kundalini:
This is the cosmic Akāsha of the Upaniṣhads, and the Kuṇḍalinī, or serpentine force in man, which when following animal impulse is the force of generation, but when applied to spiritual things makes of a man a god. It is the Waters of Great Jordan flowing downwards (the generation of men) and upwards (the generation of gods); the Akāsha-gangā or Heavenly Ganges of the Purāṇas, the Heavenly Nile of mystic Egypt.
Eden
The Garden of Eden, in the Naassene system, is the brain, and Paradise the human head, with the four rivers having special significance:
Pishon, “that is it which compasseth the whole land of Havilah, where there is gold; And the gold of that land is good: there is bdellium and the onyx stone.”
Eyes (because of its dignity and colors that bear witness to what is said)
Gihon, “the same is it that compasseth the whole land of Ethiopia.”
Hearing (because of its being labyrinthine)
Tigris, “that which flows the opposite way to the Assyrians.”
Breathing (because “the current of it is very rapid; and it ‘flows the opposite way to the Assyrians,’ because after the breath is breathed out, on breathing in again, the breath that is drawn in from without, from the air, comes in more rapidly, and with greater force.”)
Euphrates
Mouth (because through prayer and food, a “man is rejoiced, and nourished and expressed.”)
In conclusion, the Naassenes were an early Christian Gnostic cult whose beliefs and practices encompassed a wide range of Jewish and Greco-Roman elements. Of particular importance to the cult was the veneration of the snake, which was seen as a representation of the connection to the divine and an access point to spiritual renewal and growth. This veneration is a clear sign of their complex and syncretic worldview, and shows that the Naassenes were true Gnostics, not just eccentric Christians.
Book by Mark H. Gaffney
Here are some documents and books to look into further in your quest :
A Naassene Fragment (quoted by Hippolytus as a summary of the entire Naassene system)
The Gospel of Philip (evidently distinct from the Gospel of Philip of the Nag Hammadi Library)
The Gospel of Thomas
The Greek Gospel of the Egyptians
Thanks for visiting my blog! Click here to learn more and receive info about how you can make money too with a blog like this!
Narasimha, the fourth avatar of Lord Vishnu, was born from a powerful and tumultuous blaze of fire in a beautiful golden twilight, before making his way to the earthly realms.
He was sent by Krishna to liberate the oppressed and punish the evil king, Hiranyakashipu. The mere sight of Narasimha, who was half lion and half man, filled Hiranyakashipu with terror and dread. Narasimha then proceeded to tear into the king’s chest, bring his years of tyranny and cruelty to an end.
Having accomplished his mission, Narasimha then transformed into a gentle and compassionate being, kindness emanating from his aura. He graced the earth with a renewed sense of hope and fearlessness. With heavenly music filling the air and a sight of mercy, he granted people with his divine blessings and protection.
His legend and deeds soon spread far and wide, and ever since, people have praised and celebrated him for his infinite strength and compassion. His presence is still venerated today, for the invaluable contribution he made to protect the innocent and punish the wicked.
Narasimha continues to serve as an example to all of us, to demonstrate courage and strength in the face of oppression and suffering. Through his remarkable journey, we’ve been reminded that justice always triumphs, no matter how dark and difficult the times be.
Art by Art is Well 🕉️
Life Coach, Entrepreneur, Social Media Expert, Musician, Yoga Teacher, World Traveler