Category Archives: Spiritual

Anatomy of Enlightenment & The Truth About the Serpent

The Anatomy of Enlightenment According to Esoteric Philosophy: A Look at “The Truth About the Serpent”

Esoteric philosophy speaks to the truth of the human spirit, providing a backdrop for understanding our connection to the cosmos and the divinity of our inherent selves. This ancient wisdom is rife with symbolism, particularly with reference to the serpent. One of its most beloved archetypes speaks to an anatomy that can unlock inner depths of power, passion and courage—essentially, it teaches us how to connect to our true selves and live a life of understanding and enlightenment. Taking a closer look at this ancient wisdom, let’s examine the anatomy of enlightenment as it relates to “the truth about the serpent” with references to how the Gnostics view the serpent, the idea of kundalini and the serpent in the Garden of Eden.

In regards to the Gnostics, the serpent archetype served as a symbol of the savior offering emancipation from ignorance and oppression. In the Gnostic creation story, the serpent is elevated to the status of saviour and teacher, elevating man to knowledge and understanding that is rooted in truth and freedom rather than imprisonment by ignorance. The serpent is also symbolic of the spiritual path, offering us divine knowledge as a way of liberating us from suffering and personal bondage. In esoteric philosophy, the image of the serpent is seen as a metaphor for spiritual knowledge and revealed truth—a representation of the power of awakening, or “yoga”, as it is commonly referred to—that exists within us, leading us on the path to enlightenment.

The serpent is particularly connected to the concept of kundalini energy. This energy is the power of pure, divine fluidity and movement within the body, awakening and opening the pathways to liberation and union with divine consciousness. Kundalini is understood to be a living force that resides within us, accessible through subtle yoga techniques and meditation. Through the channeling of kundalini energy, we can awaken the serpent within. Kundalini rises, also referred to as “Serpent Power”, connecting us with infinite sources of life-force and restoring the connection between our physical and spiritual bodies. The power of Kundalini is primal and pure, providing a route to the true self and ultimately the Divine.

The serpent also holds a special place in the story of the Garden of Eden. As the serpent in the garden, it is seen as a provider of knowledge and forbidden wisdom, enticing man and woman to come to understandings of truth, thus providing them with all the power of the divine. The serpent is seen as a figure of illuminative power and insight, providing the spark of understanding that propels us towards awakening and ultimately, enlightenment.

In summary, the anatomy of enlightenment is illuminated in the powerful symbolism of the serpent. As taught by esoteric philosophy and supported by the Gnostics, this archetype speaks to an inner power within each of us that can be recognized and tapped into via methods such as kundalini awakening and meditation. Additionally, the serpent serves to highlight the importance of knowledge and understanding and the power of this enlightenment in setting us free. Ultimately, by unlocking the mysteries of the serpent within, we can rise in our own power and activate the pathways of freedom, truth and connection to our greater source.

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Goddess Sophia

Goddess Sophia is a key figure in the Bible, appearing in both the Book of Proverbs and the Gnostic tradition. In Proverbs, she is portrayed as a “divine figure of wisdom, a master craftsman who has come to teach the earth’s people.” (Proverbs 8:1). She is said to bring understanding, discernment and insight to all who seek her out. In the Gnostic tradition, Sophia is a divine goddess of spiritual understanding, inspiring the growth of knowledge and enlightenment. She is represented as a female figure of light, eternal youth and beauty. Her divine power enables her to create and share both material and spiritual wealth with all humanity. Through Sophia, the divine creates and maintains its balanced and harmonious universal order. She is also seen as a maternal figure for her protection and nurturing of all life.

The biblical scripture “Wisdom hath builded her house” is commonly interpreted to refer to the goddess Sophia. This interpretation is based on the ancient Jewish belief that wisdom was a divine figure, personified as a female. Philosophical reflections in the Ancient Near East and Greco-Roman traditions often associated wisdom with a female figure, and Sophia (Greek for “wisdom”) is the most famous of these figures. The early Christian Church also adopted this belief, and eventually, by the 5th century, Sophia was commonly referred to as a “goddess” in the Church’s writings. Because of this long history of associating wisdom with a female deity, the “Wisdom hath builded her house” verse is widely believed to refer to Sophia.

Sophia is often represented as the Dove, the Holy Spirit, the AUM/Amen, Mary Magdalene, Isis, the Queen of Sheba, the Queen of Heaven, the Goddess.. the Divine Presence of Wisdom.

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Poem for Mary Magdalene

Tell the tale of Mary Magdalene
the rightful heir of long and great family
Her name has been forgotten and blurred
Lies and truths will soon be heard

She carried Jesus’ love and will
Anointed with great understanding and skill
A secret church that no man can see
A passage of faith so powerful and free

She was the treasurer of the loving way
A descendent of a king and queen arrayed
Subject to persecution and pain
Yet still persevered as she sustained

A messenger who brought light to darkness
Gnosis, wisdom lead to brightness
Truest faith, Union with the Divine
Forever and ever will Mary Magdalene shine

Maria Magdalena

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Lono of the Vastness – Hawaii

Native Hawaiian culture is a unique and special piece of the Polynesian melting pot. One of the most famous aspects of this culture is the worship of the god Lono. Hawaii has been called Lono of the Vastness since ancient times. In this article, I will discuss the origin and meaning of the name, as well as its connection to traditional Hawaiian culture.

The name Lono comes from the Hawaiian god Lono, who is credited with bringing the laws and customs that are important to Hawaiian culture and beliefs. Lono is a god of peace and fertility and is known as the King of the Isles and Lord of the Skies. He is seen as a provider of life, fertility, and prosperity. The word lono actually means “plenty” or “abundance”.

The origin of the name Lono of the Vastness comes from an ancient Hawaiian creation story. According to this story, the god Kane and the goddess Hina created four islands: Hawaii, Kauai, Oahu, and Maui. Following the creation of the islands, Kane and Hina decided to name them. They chose the name Lono for Hawaii, based on the god Lono’s bounty of abundance and fertility.

The connection between Lono and Hawaii is strong and deeply embedded in Hawaiian culture. Lono is seen as a source of protection and abundance, and is celebrated in the annual Makahiki festival. The Makahiki festival is a time of spiritual renewal and is meant to honor and thank Lono for the abundance and prosperity that come to the islands.

Lono is also seen as the protector of the islands. Ancient Hawaiian chiefs regularly prayed to Lono in their efforts to bring protection and prosperity to their people. This connection to the spirit world has been seen as an important part of Hawaiian culture and beliefs, and the name Lono of the Vastness reinforces this connection.

The name Lono of the Vastness is an important part of Hawaii’s history and culture. It is a reminder of the god Lono and his role in Hawaiian mythology and beliefs. The connection of the god to the islands can be seen in the celebration of the Makahiki festival, as well as the prayers from Hawaiian chiefs for protection and abundance. These all make clear why Hawaii is sometimes called Lono of the Vastness.

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Poem for the Queen of Sheba

Once lived a queen with locks of ebony
and eyes both blazing ivory,
A daughter of pure royalty,
A power to rival none other,
This was the Queen of Sheba.

Her grandeur soared beyond belief and rivaled the sun’s own glowing rays,
A strength and beauty so immense,
That even the furthest corners of the world had heard her name.

She set forth and sojourned to a distant land,
Equipped with gifts that sparkled in the sand,
The wisdom of a queen and refreshing grace,
To seek the secrets of King Solomon’s holy place.

The meeting of the two was no ordinary scene,
Like two shimmering stars shining bright,
The power and wisdom they shared that day,
Could light the night sky through the night.

The King himself was truly amazed
At the momentous power of such a graceful woman,
So honored was he to receive a crown
From the hands of the Queen of Sheba.

The heroes of that glorious time have long passed,
But the legacy of their glory remains,
The memory of the Queen of Sheba,
Forever shining in our hearts and brains.

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Poem for the Cosmic Christ Child

In yonder tree stands tall with might,
A symbol of life, its leaves bright.
Its twin pillars represent end and start,
Boaz & Jachin, each a life-giving part.

From two distinct sources, a spark comes alive,
A paradox formed, of contradictions rife.
For from the union of Star Father and Gaia
A Christ Child is born, through the Powers of the Fire.

He brings a message of Love and Compassion,
Of Harmony and Balance, beyond 3D perception.
He carries forth the Tree of Life, an eternal reminder
Of Interconnectivity, the Sacred Union of Creator & Nature.

Parallels between Pharaoh, Messiah, Christ & Master Mason

The idea of spiritual attainments and the pursuit of knowledge to gain understanding of the sacred mysteries have been the shared subject of much study and conjecture in the Western world, spanning across different religions and spiritual belief systems. Of the many topics that could be discussed, the shared journey of Pharaoh in Ancient Egypt, the Messiah in Judeo-Christianity, and a Master Mason in Freemasonry contain a set of striking parallels. While each of these paths provides its own unique rituals and obstacles, there are two common unifying elements that run consistently through each of these systems: initiation and divine power.

In Ancient Egypt, Pharaoh was the ultimate figure of spiritual authority, deemed divinely chosen by the gods to act as their conduit. After a period of initiation, which typically included memorization of certain sacred texts and promises of loyalty, Pharaoh would be granted access to a plethora of divine powers. These divine powers would enable the Pharaoh to access knowledge about the universe and the realm of the gods. Similarly, in Christianity, the Messiah is characterized as having undergone an initiation in which he has promised loyalty to God, and upon doing so, is given access to divine powers. These divine powers enable the Messiah to access knowledge of the spiritual realm and ultimately provide salvation to the multitudes.

Finally, in Freemasonry, a journeyman Mason undertakes a series of initiations that enable him to “enter the uncharted mysteries of the fraternity” (Gardner, 2014). Upon successful completion of his initiations, the Master Mason is granted access to divine secrets and esoteric knowledge. In each of the aforementioned traditions, initiation and spiritual authority are unifying elements that are necessary for one to access knowledge of the sacred mysteries and gain an understanding of the divine.

The comparison between Pharaoh in Ancient Egypt, the Messiah in Christianity, and a Master Mason in Freemasonry holds many symbolic links that can be drawn upon and discussed in further detail. These links point to a larger spiritual journey that is intertwined with the practices of each tradition. In particular, the idea of initiation and attaining divine power to access knowledge of the mysteries is a unifying element that is present in each system. While each of these paths is unique, the initiation process and the conferring of divine authority are integral steps that each individual takes in becoming spiritually empowered and enlightened. While it is true that the specifics of each tradition hold many differences, it is undeniable that at their core, these traditions share principles and paths that can be universal for any spiritual seeking.

The Pharaoh of Egypt and Gnostics’ image of Jesus Christ have historically been closely intertwined as a result of their common focus on the pursuit of wisdom. This article provides an examination of the parallels between the Pharaoh of Egypt and becoming a Christ in Gnosticism. Scholarly evidence suggests that there are various connections between the ancient Pharaohs and Jesus Christ in Gnosticism, which can be interpreted as similar to spiritual transformation, initiation, and Gnostic teachings about divine knowledge and enlightenment.

The Pharaoh of Egypt was a powerful ruler and the embodiment of a divine principle. Such a position could only be achieved through initiation, much like the opening of the seven seals that were meant to initiate the Gnostics into the knowledge of god’s mysteries. As such, both the Pharaoh and the Gnostics underwent a transformation, a spiritual ascent to a higher level of understanding and knowledge. According to ancient Egyptian lore, the Pharaoh was believed to be the intermediary between gods and human beings, just as Jesus is in Gnosticism.

In addition, Gnosticism encourages the distinguishing of the secret knowledge held by the divine and the lower, profane knowledge accessible to mere mortals. This distinction is echoed in the ancient Egyptian concept of Ma’at, the divine law, which the Pharaoh was tasked with upholding. The Pharaohs had a special, privileged relationship with the gods that only they could access due to their position—similar to the exalted status of Jesus in Gnosticism.

Finally, the Pharaohs of Egypt were responsible for maintaining a balance between chaos and order. The cosmic duality, or ‘as above, so below’, that is so pervasive in Gnosticism was also deeply important to ancient Egyptian culture. As divine rulers, Pharaohs oversaw the spiritual and physical harmony of their kingdom, much as Jesus provides universal balance through his teachings. In both cases, balance was achieved through a synthesis of the lower and higher realms of knowledge.

The Pharaoh of Egypt and the figure of Jesus Christ in Gnosticism have significant parallels that provide insight into the mystery of the divine. The similarities between these two figures highlight the importance of ascension to a higher level of enlightenment and knowledge and emphasize the divine responsibility that is integral in both societies. This article has demonstrated that the Pharaoh of Egypt and becoming a Christ in Gnosticism have more in common than we might think.

The parallels between the King Making Ritual of becoming a Pharaoh of Egypt and becoming a Master Mason in Freemasonry have become increasingly apparent in recent years as various studies and investigations have been conducted. The groundbreaking book ‘The Hiram Key’ by Christopher Knight and Robert Lomas has added greatly to this knowledge, and has helped to illuminate the many similarities between the two rites. As the authors state, “… the platform of symbolic rituals used by the Egyptian priesthood to initiate a Pharaoh appears to have been adopted and adapted by the Freemasons when creating the Rite of the Master Mason.” 

The authors provide an in-depth look at what the then-current interpretation of the Craft’s ‘Third Degree’ included, and also divulge that a number of the features of this degree bear a striking resemblance to certain aspects of the Egyptian Pharaoh’s coronation ceremony. For example, in both ceremonies the candidate is cloaked in mystery and is initially referred to as a ‘lost-found’ person. In Ancient Egypt, during the coronation of a Pharaoh, the candidate would be initially referred to as a ‘lost-found’ until the ceremony was completed. The same term was employed in Liberty Lodge, a Masonic Lodge in London, England that was active during the late eighteenth century – where the candidate was also referred to as ‘lost-found’.

In addition to this, the authors point out that in both ceremonies the candidate is required to visit a ‘tomb of the Grand Master’. Again in the Egyptian coronation ceremony this was represented by the recitation of the akh texts or ‘Opening of the Mouth’ ritual which emphasised the Pharaoh’s union with Osiris in the afterlife. At Liberty Lodge, the candidate was also required to visit a ‘tomb of the Grand Master’, symbolically representing the union with Hiram Abiff – the symbolic father architect of the First Temple of Jerusalem, and the original Grand Master of Freemasonry. 

While it can’t be entirely ruled out that the similarities between the two ceremonies were merely coincidental, it’s fair to say that there are strong indications that the Egyptian King Making Ritual provided the Freemasons with a platform on which to base their own rites. The Hiram Key goes on to explore the roots of Freemasonry’s own ritualistic ceremonies much further and it clearly illustrates how the ancient Pharaohs coronation played an important role in the development of Freemasonry as we know it today.

In Isaiah 19:20, the Jewish prophet Isaiah compares the Pharaoh of Egypt to the Messiah, saying, “It will be a sign and a witness to the Lord Almighty in the land of Egypt. When they cry out to the Lord because of their oppressors, He will send them a Savior and Defender, and he will rescue them.”

According to the Dead Sea Scrolls, a collection of ancient Jewish texts, many of the rabbis and sages of the Second Temple period who were writing and interpreting the scriptures viewed the Pharaoh of Egypt as a type of the messiah.

In the Talmud, the ancient Jewish oral tradition, there is an interpretation of Isaiah’s prophecy about Egypt in which the Pharaoh is seen as a type of the Messiah.

The Jewish thinker Maimonides wrote that the Pharaoh of Egypt was a paradigm of the anticipated messiah.

“And I have heard it said in a certain Memphite tradition that the Shepherd Kings had Pharaohs of their own.” – Josephus, Antiquities of The Jews

The theory that the messiah is a parallel to the pharaoh has been a subject of intense academic debate. This paper will discuss how the messiah and pharaoh both play a role in the ancient concept of kingship and how the portrayal of the messiah in the Bible reflects the unique responsibilities of the Egyptian pharaoh in his culture.

In the ancient Near East, pharaohs were believed to be representative of, and even to serve, a higher power. As the absolute ruler of Egypt, the pharaoh was considered to be a living god on earth. The pharaoh was viewed as a divinely chosen leader who was responsible for the well-being and prosperity of all of Egypt. He was expected to act in the best interests of his people, protect them from attack, and ensure justice and good order within the realm. 

The Hebrew Bible also includes a figure who was called the messiah or “anointed one” who was expected to act as a ruler and savior. The messiah was seen as a spiritual leader who would redeem the Jewish people from their sins and lead them to a brighter future. Like the pharaoh, the messiah represented a higher power, and his role was seen as essential for restoring justice and peace among the people. 

The similarities between the roles of the pharaoh and the messiah extend beyond the concept of kingship. Both figures were subject to periods of suffering and sacrifice. In Egyptian mythology, the pharaoh had to overcome many trials, including death and resurrection, before he could assume the throne. In the Bible, the messiah’s sufferings serve as a kind of atonement for the sins of the people and a way to bring about redemption. 

Furthermore, the pharaoh and the messiah had significant cosmic powers. In Egyptian mythology, the pharaoh was seen as the bridge between the gods and mortals; he alone could access the mysteries of the gods, and his will and authority were believed to represent the gods’ will. In the Bible, the messiah is believed to possess spiritual authority that is higher than any earthly authority. His power is seen in the way he can perform miracles, as well as in his ability to interpret the divine will. 

The comparison between the pharaohs and the messiah is a useful one when exploring the concept of kingship and the responsibilities of these powerful figures in the ancient Near East. Both the pharaoh and the messiah have a divine mission to carry out and are held to a high ethical and spiritual standard. They are charged with protecting their people and ensuring their well-being. The similarities between the two figures demonstrate how sacred power was seen in the ancient world as well as how much influence kingship could have in a society. 

In conclusion, the portrayal of the messiah in the Bible reveals many parallels to the concept of the pharaoh in ancient Egypt. The messiah, like the pharaoh, is a divinely chosen leader who is responsible for the well-being of his people and is subject to both suffering and sacrifice. The similarities between the pharaoh and the messiah suggest that the two figures shared many of the same responsibilities, powers, and expectations of kingship.

Reference : Gardner, D. (2014). Freemasonry: A journey through ritual and symbol. Richmond, Surrey: Thames and Hudson.

Knight, C. and Lomas, R. (1996). The Hiram Key: Pharaohs, Freemasons and the Secret Scrolls of Jesus.

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Prithvi Mudra

Prithvi Mudra, translated as “earth gesture,” is a hand mudra, or energy seal, that is commonly used in yoga, meditation, and other spiritual traditions for calming the mind and extending grounding energy. Prithvi Mudra is believed to represent the element earth, and its practice is thought to bring balance and stability to both physical and emotional health.

The mudra is performed by pressing the tips of the ring finger and thumb together while keeping the other three fingers extended. This seal is gentle and peaceful, and it is believed to calm the mind and connect one to the earth, thereby inducing a sense of calmness and stability.

In addition to its calming effects, Prithvi Mudra is believed to have a number of health benefits. It is thought to improve digestion, strengthen bones and joints, nourish the skin, and regulate metabolism. Practicing this mudra is also said to reduce symptoms of stress, fatigue, and insomnia.

Practicing Prithvi Mudra is also thought to improve concentration, intuition, and mental clarity. It is believed to increase focus and aid in both physical and spiritual growth. Additionally, it is used to help cultivate gratitude, generosity, and peacefulness.

In terms of meditation, Prithvi Mudra acts as a grounding tool that helps the practitioner remain grounded and present. It can be practiced anytime, such as before or during seated meditation or pranayama breathing exercises. It can also greatly help the mind remain relaxed and focused during periods of stress and anxiety.

Overall, Prithvi Mudra is a powerful gesture for physical and mental wellbeing that can help to promote a sense of calm, connection, and balance. It is an easy hand mudra to incorporate in everyday life and can provide an array of physical and mental health benefits.

Prithvi Mudra, or Earth Mudra, is an ancient yogic gesture originating in India however is used in various religions around the world today. Although it is predominantly used in Hindu and Buddhist belief systems, Prithvi Mudra also appears in Christian iconography as an embodiment of Jesus Christ.

Prithvi Mudra is a hand position in the practice of yoga, used to honor and connect with the elemental energy of the earth. The mudra itself is made by extending the thumb finger, while folding the other three fingers against the palm. It is believed that Prithvi Mudra creates a sense of groundedness in one’s physical and spiritual foundations.

This spiritual grounding of the earthly world and humanity of Jesus may be why several Christian iconographers have included Prithvi Mudra in their depiction of Jesus in his human form. Some examples of this can be found in the art of El Greco, Michelangelo and other renowned masters. As Christianity emphasizes the spiritual importance of rootedness in the physical body, Prithvi Mudra helps to convey Jesus’ connection to humanity and his ability to understand and sympathize with the everyday struggles of life.

In the Catholic & Eastern Church, Jesus’ presence and embodiment of the earthly world is most notably conveyed in the iconic Eucharistic ceremony. During the ceremony, Jesus breaks bread and says, “This is my body, given for you; do this in remembrance of me.” This gesture of breaking bread, which is connected to Prithvi Mudra in Yoga, brings Jesus’ physical manifestation of the earthly self closer to worshipers.

Apart from his role as an embodiment of groundedness, the use of Prithvi Mudra in Christian art can also be seen as a sign of unity and mutual respect between different religious traditions. Jesus’ inviting gesture combines the power and potential of both Christianity and Yoga and communicates a message of harmony and acceptance between diverse spiritual creeds. Thus, Prithvi Mudra’s utilization in Christian iconography serves as a powerful reminder of how all beings share in the same fundamental needs and goals and how religious and spiritual practices should be used to unite, rather than divide, humanity.

Prithvi Mudra has been found at times a prominent feature in Christian art, as it encapsulates Jesus’ presence on Earth as well as conveys a unified message of acceptance among different religious traditions. By combining the spiritual, physical and symbolic aspects of the mudra, Christian iconographers help to bring Jesus’ relationship to the earthly world to life for people of all faiths and beliefs.

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The History of the Ethiopian David Harp

In ancient times, the use of a musical instrument known as the David harp was common among the Ethiopian Jews, who referred to the instrument as a “kinnor.” A kinnor is a three-stringed instrument that is believed to have derived from the Middle Eastern lyre and is made of an animal skin stretched over a circular wooden sound box. The strings are generally made of sheep gut, which produces a softer and more subtle sound than the strings made of metal which are found in modern harps. The David harvest was named after King David, who is said to have invented the instrument, according to Jewish tradition.

The use of the David harp can be traced back to the ninth century BCE and it is believed to have been brought to Ethiopia through the Jews of the diaspora who were fleeing religious persecution. The Jews of Ethiopia brought the harp with them and it became a part of their culture and practice of ethnic worship. In the 19th century, the instrument was highly popular among Jewish communities and it was used at weddings and religious ceremonies. The harp is also closely associated with the Amharic language, which is spoken in Ethiopia, as it is used to accompany fans during ceremonial singing and story-telling.

The use of a kinnor is mentioned in the Bible in many different contexts, including the story of King David and his use of the harp to calm King Saul (1 Samuel 16:23). The instrument was also seen as a symbol of devotion to God in the ancient world and it is closely associated with sacred practices. In addition, the kinnor was often used in Ethiopian Jewish music to accompany the melodies and rhythms of their religious practices.

The design of the David harp has changed over time and it is believed to be the ancestor of the modern harp. The Ethiopian Jews used a variety of materials in the construction of the David harp and they often decorated the instrument with colorful fabrics or gemstones. The players of the David harp were highly skilled and they often sang and composed their own songs.

Over time, the use of the David harp declined and the instrument was no longer played as frequently as it had been in the past. However, in recent years there has been a revival of interest in the traditional Ethiopian music and the kinnor has seen a resurgence in popularity in some areas.

In summary, the David harp is an ancient instrument that has a long and rich history in Ethiopia. The instrument is closely associated with the practice of ritual worship by the Ethiopian Jews and it has played an important part in Ethiopian culture for centuries. The David harp is also believed to be the ancestor of the modern harp and its use and design have changed over time. In recent years, the instrument has seen a resurgence in popularity and it continues to be used in certain areas.

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Asenath, Snow White, Mary Magdalene & the Zodiac

Q. What connects all the elements in this title?
A. Joseph and Asenath.

Asenath אסנת was the daughter of Potiphar, the high priest of On (Heliopolis), who became the wife of the Old Testament Joseph. We don’t have much information about Asenath from the Torah, but we do get a mythical history in ‘Joseph and Asenath’, a very early apocryphal story from about the 2nd century.

In his ‘The Lost Gospel’, Simcha Jacobovici makes the case that ‘Joseph and Asenath’ is actually a retelling of the Gospel story of Jesus and Mary Magdalene. Which is why the Torah Joseph is being called here a Son of God, and why the Torah Asenath is living in a tower (a Magdal). Just like Rapunzel, Asenath is being symbolically portrayed as being Mary Magdalene, the Princess of the Tower.

Thus it is likely that ‘Joseph and Asenath’ is pesher – a story composed from historical events, that actually reflects and represents contemporary events. Not only does pesher assist in prophesy via precedent, it also hides the true meaning of the contemporary story, which can then safely encode heretical elements.

In addition to this, Joseph is quite obviously being portrayed as Helios, the Sun-god. Which is why we might speculate that ‘Joseph and Asenath’ is more likely a Nazarene text, than a Christian text.

Joseph is described as:
… The Saviour
… The Son of God
… Riding a chariot, with four white horses
… Wearing a purple cloak
… And a crown with 12 rays, like the rays of the Sun.

This is an overt description of Helios wearing his celestial crown and cloak, riding in his celestial chariot across the heavens pulled by four white horses. ‘Joseph and Asenath’ is not simply a pesher story about Jesus, it is a pesher story about the Solar System.

Asenath is described as:
… Living in a Tower (a Magdal)
… Having seven attendants, looking like stars

Joseph and Asenath meet, but are not entirely suited to each other (Jewish and Pagan). Then Joseph, as prime minister of all Egypt, has urgent business and goes away for seven days.

While Joseph is away, Asenath throws off her bright clothing and jewellery, and clothes herself instead with black robes covered in ashes. Then she ties her waist with sackcloth, and fasts for all seven days. The ashes are a sign of death, so it is almost as if Asenath is dead.

But then Joseph returns, firstly in spirit form, and then in human form. So Asenath loosens her waist sackcloth, takes off her black garments, shakes off the ashes of death, washes her face with water, and reclothes herself in the bright and splendid clothes of marriage. For she is to marry Joseph.

Quite clearly, this is the origin of the Snow White story, where the bright and white Snow White also has seven dwarf attendants. And like Asenath she too has a corset around her waist to make her thinner, until she ‘dies’. And she too is kissed by a handsome prince, who brings her back to life and marries her.

But as was explained previously, the Snow White fairytale was based upon the orbit of the Moon. Just like Snow White and Asenath, the Moon is brightly jewelled in the night sky, and followed by seven star-like planetary attendants. The Moon is bright and joyful until a sackcloth or corset is wrapped around her, making her appear thinner and thinner in the night sky until she dies. This is the blackness of the New Moon – the death Snow White and the death of Asenath.

Only now can the dead New Moon Selene meet the handsome Helios – an orbital arrangement that can only happen at the New Moon, when Selene is dark and dead. This is Joseph-Helios meeting Asenath-Selene or the Princely-Helios meeting Snow White Selene. The celestial prince and princess then kiss, at the beginning of a Solar eclipse. And as the eclipse proceeds Helios-Joseph-Prince and Selene-Asenath-Snow-White can be seen in flagrante delicto in their celestial bridal chamber in the heavens above, locked in their orbital embrace.

So the fairytale of Snow White is as old as the Moon, and as old as the Gospels. Of course this does not imply that Joseph and Asenath or Jesus and Mary Magdalene were mythical characters. Royalty were expected to mimic the celestial gods in the heavens above, so the celestial syzygy and eclipse had to take place in the royal bridal chamber, as well as in the heavens above.

As Above, So Below.
A royal-celestial syzygy.
A cosmic consummation.

Images:
a. Helios-Sun rides his chariot across the heavens.
b. Helios with his Sun-ray crown and purple cloak, on a Nazarene Jewish zodiac.
c. Helios-Joseph-Prince kisses Selene-Asenath-Snow White, to bring the dead New Moon back to life.
d. Helios-Joseph-Prince and Selene-Asenath-Snow White, with the tower of Repunzel-Mary-Magdalene in the background.

Reposted from Ralph Ellis

Helios-Sun rides his chariot across the heavens.
Helios with his Sun-ray crown and purple cloak, on a Nazarene Jewish Zodiac.
Helios-Joseph-Prince kisses Selene-Asenath-Snow White, to bring the dead New Moon back to life.
Helios-Joseph-Prince and Selene-Asenath-Snow White, with the tower of Repunzel-Mary-Magdalene in the background.