Tell the tale of Mary Magdalene the rightful heir of long and great family Her name has been forgotten and blurred Lies and truths will soon be heard
She carried Jesus’ love and will Anointed with great understanding and skill A secret church that no man can see A passage of faith so powerful and free
She was the treasurer of the loving way A descendent of a king and queen arrayed Subject to persecution and pain Yet still persevered as she sustained
A messenger who brought light to darkness Gnosis, wisdom lead to brightness Truest faith, Union with the Divine Forever and ever will Mary Magdalene shine
Maria Magdalena
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Native Hawaiian culture is a unique and special piece of the Polynesian melting pot. One of the most famous aspects of this culture is the worship of the god Lono. Hawaii has been called Lono of the Vastness since ancient times. In this article, I will discuss the origin and meaning of the name, as well as its connection to traditional Hawaiian culture.
The name Lono comes from the Hawaiian god Lono, who is credited with bringing the laws and customs that are important to Hawaiian culture and beliefs. Lono is a god of peace and fertility and is known as the King of the Isles and Lord of the Skies. He is seen as a provider of life, fertility, and prosperity. The word lono actually means “plenty” or “abundance”.
The origin of the name Lono of the Vastness comes from an ancient Hawaiian creation story. According to this story, the god Kane and the goddess Hina created four islands: Hawaii, Kauai, Oahu, and Maui. Following the creation of the islands, Kane and Hina decided to name them. They chose the name Lono for Hawaii, based on the god Lono’s bounty of abundance and fertility.
The connection between Lono and Hawaii is strong and deeply embedded in Hawaiian culture. Lono is seen as a source of protection and abundance, and is celebrated in the annual Makahiki festival. The Makahiki festival is a time of spiritual renewal and is meant to honor and thank Lono for the abundance and prosperity that come to the islands.
Lono is also seen as the protector of the islands. Ancient Hawaiian chiefs regularly prayed to Lono in their efforts to bring protection and prosperity to their people. This connection to the spirit world has been seen as an important part of Hawaiian culture and beliefs, and the name Lono of the Vastness reinforces this connection.
The name Lono of the Vastness is an important part of Hawaii’s history and culture. It is a reminder of the god Lono and his role in Hawaiian mythology and beliefs. The connection of the god to the islands can be seen in the celebration of the Makahiki festival, as well as the prayers from Hawaiian chiefs for protection and abundance. These all make clear why Hawaii is sometimes called Lono of the Vastness.
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In yonder tree stands tall with might, A symbol of life, its leaves bright. Its twin pillars represent end and start, Boaz & Jachin, each a life-giving part.
From two distinct sources, a spark comes alive, A paradox formed, of contradictions rife. For from the union of Star Father and Gaia A Christ Child is born, through the Powers of the Fire.
He brings a message of Love and Compassion, Of Harmony and Balance, beyond 3D perception. He carries forth the Tree of Life, an eternal reminder Of Interconnectivity, the Sacred Union of Creator & Nature.
Prithvi Mudra, translated as “earth gesture,” is a hand mudra, or energy seal, that is commonly used in yoga, meditation, and other spiritual traditions for calming the mind and extending grounding energy. Prithvi Mudra is believed to represent the element earth, and its practice is thought to bring balance and stability to both physical and emotional health.
The mudra is performed by pressing the tips of the ring finger and thumb together while keeping the other three fingers extended. This seal is gentle and peaceful, and it is believed to calm the mind and connect one to the earth, thereby inducing a sense of calmness and stability.
In addition to its calming effects, Prithvi Mudra is believed to have a number of health benefits. It is thought to improve digestion, strengthen bones and joints, nourish the skin, and regulate metabolism. Practicing this mudra is also said to reduce symptoms of stress, fatigue, and insomnia.
Practicing Prithvi Mudra is also thought to improve concentration, intuition, and mental clarity. It is believed to increase focus and aid in both physical and spiritual growth. Additionally, it is used to help cultivate gratitude, generosity, and peacefulness.
In terms of meditation, Prithvi Mudra acts as a grounding tool that helps the practitioner remain grounded and present. It can be practiced anytime, such as before or during seated meditation or pranayama breathing exercises. It can also greatly help the mind remain relaxed and focused during periods of stress and anxiety.
Overall, Prithvi Mudra is a powerful gesture for physical and mental wellbeing that can help to promote a sense of calm, connection, and balance. It is an easy hand mudra to incorporate in everyday life and can provide an array of physical and mental health benefits.
Prithvi Mudra, or Earth Mudra, is an ancient yogic gesture originating in India however is used in various religions around the world today. Although it is predominantly used in Hindu and Buddhist belief systems, Prithvi Mudra also appears in Christian iconography as an embodiment of Jesus Christ.
Prithvi Mudra is a hand position in the practice of yoga, used to honor and connect with the elemental energy of the earth. The mudra itself is made by extending the thumb finger, while folding the other three fingers against the palm. It is believed that Prithvi Mudra creates a sense of groundedness in one’s physical and spiritual foundations.
This spiritual grounding of the earthly world and humanity of Jesus may be why several Christian iconographers have included Prithvi Mudra in their depiction of Jesus in his human form. Some examples of this can be found in the art of El Greco, Michelangelo and other renowned masters. As Christianity emphasizes the spiritual importance of rootedness in the physical body, Prithvi Mudra helps to convey Jesus’ connection to humanity and his ability to understand and sympathize with the everyday struggles of life.
In the Catholic & Eastern Church, Jesus’ presence and embodiment of the earthly world is most notably conveyed in the iconic Eucharistic ceremony. During the ceremony, Jesus breaks bread and says, “This is my body, given for you; do this in remembrance of me.” This gesture of breaking bread, which is connected to Prithvi Mudra in Yoga, brings Jesus’ physical manifestation of the earthly self closer to worshipers.
Apart from his role as an embodiment of groundedness, the use of Prithvi Mudra in Christian art can also be seen as a sign of unity and mutual respect between different religious traditions. Jesus’ inviting gesture combines the power and potential of both Christianity and Yoga and communicates a message of harmony and acceptance between diverse spiritual creeds. Thus, Prithvi Mudra’s utilization in Christian iconography serves as a powerful reminder of how all beings share in the same fundamental needs and goals and how religious and spiritual practices should be used to unite, rather than divide, humanity.
Prithvi Mudra has been found at times a prominent feature in Christian art, as it encapsulates Jesus’ presence on Earth as well as conveys a unified message of acceptance among different religious traditions. By combining the spiritual, physical and symbolic aspects of the mudra, Christian iconographers help to bring Jesus’ relationship to the earthly world to life for people of all faiths and beliefs.
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In ancient times, the use of a musical instrument known as the David harp was common among the Ethiopian Jews, who referred to the instrument as a “kinnor.” A kinnor is a three-stringed instrument that is believed to have derived from the Middle Eastern lyre and is made of an animal skin stretched over a circular wooden sound box. The strings are generally made of sheep gut, which produces a softer and more subtle sound than the strings made of metal which are found in modern harps. The David harvest was named after King David, who is said to have invented the instrument, according to Jewish tradition.
The use of the David harp can be traced back to the ninth century BCE and it is believed to have been brought to Ethiopia through the Jews of the diaspora who were fleeing religious persecution. The Jews of Ethiopia brought the harp with them and it became a part of their culture and practice of ethnic worship. In the 19th century, the instrument was highly popular among Jewish communities and it was used at weddings and religious ceremonies. The harp is also closely associated with the Amharic language, which is spoken in Ethiopia, as it is used to accompany fans during ceremonial singing and story-telling.
The use of a kinnor is mentioned in the Bible in many different contexts, including the story of King David and his use of the harp to calm King Saul (1 Samuel 16:23). The instrument was also seen as a symbol of devotion to God in the ancient world and it is closely associated with sacred practices. In addition, the kinnor was often used in Ethiopian Jewish music to accompany the melodies and rhythms of their religious practices.
The design of the David harp has changed over time and it is believed to be the ancestor of the modern harp. The Ethiopian Jews used a variety of materials in the construction of the David harp and they often decorated the instrument with colorful fabrics or gemstones. The players of the David harp were highly skilled and they often sang and composed their own songs.
Over time, the use of the David harp declined and the instrument was no longer played as frequently as it had been in the past. However, in recent years there has been a revival of interest in the traditional Ethiopian music and the kinnor has seen a resurgence in popularity in some areas.
In summary, the David harp is an ancient instrument that has a long and rich history in Ethiopia. The instrument is closely associated with the practice of ritual worship by the Ethiopian Jews and it has played an important part in Ethiopian culture for centuries. The David harp is also believed to be the ancestor of the modern harp and its use and design have changed over time. In recent years, the instrument has seen a resurgence in popularity and it continues to be used in certain areas.
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Q. What connects all the elements in this title? A. Joseph and Asenath.
Asenath אסנת was the daughter of Potiphar, the high priest of On (Heliopolis), who became the wife of the Old Testament Joseph. We don’t have much information about Asenath from the Torah, but we do get a mythical history in ‘Joseph and Asenath’, a very early apocryphal story from about the 2nd century.
In his ‘The Lost Gospel’, Simcha Jacobovici makes the case that ‘Joseph and Asenath’ is actually a retelling of the Gospel story of Jesus and Mary Magdalene. Which is why the Torah Joseph is being called here a Son of God, and why the Torah Asenath is living in a tower (a Magdal). Just like Rapunzel, Asenath is being symbolically portrayed as being Mary Magdalene, the Princess of the Tower.
Thus it is likely that ‘Joseph and Asenath’ is pesher – a story composed from historical events, that actually reflects and represents contemporary events. Not only does pesher assist in prophesy via precedent, it also hides the true meaning of the contemporary story, which can then safely encode heretical elements.
In addition to this, Joseph is quite obviously being portrayed as Helios, the Sun-god. Which is why we might speculate that ‘Joseph and Asenath’ is more likely a Nazarene text, than a Christian text.
Joseph is described as: … The Saviour … The Son of God … Riding a chariot, with four white horses … Wearing a purple cloak … And a crown with 12 rays, like the rays of the Sun.
This is an overt description of Helios wearing his celestial crown and cloak, riding in his celestial chariot across the heavens pulled by four white horses. ‘Joseph and Asenath’ is not simply a pesher story about Jesus, it is a pesher story about the Solar System.
Asenath is described as: … Living in a Tower (a Magdal) … Having seven attendants, looking like stars
Joseph and Asenath meet, but are not entirely suited to each other (Jewish and Pagan). Then Joseph, as prime minister of all Egypt, has urgent business and goes away for seven days.
While Joseph is away, Asenath throws off her bright clothing and jewellery, and clothes herself instead with black robes covered in ashes. Then she ties her waist with sackcloth, and fasts for all seven days. The ashes are a sign of death, so it is almost as if Asenath is dead.
But then Joseph returns, firstly in spirit form, and then in human form. So Asenath loosens her waist sackcloth, takes off her black garments, shakes off the ashes of death, washes her face with water, and reclothes herself in the bright and splendid clothes of marriage. For she is to marry Joseph.
Quite clearly, this is the origin of the Snow White story, where the bright and white Snow White also has seven dwarf attendants. And like Asenath she too has a corset around her waist to make her thinner, until she ‘dies’. And she too is kissed by a handsome prince, who brings her back to life and marries her.
But as was explained previously, the Snow White fairytale was based upon the orbit of the Moon. Just like Snow White and Asenath, the Moon is brightly jewelled in the night sky, and followed by seven star-like planetary attendants. The Moon is bright and joyful until a sackcloth or corset is wrapped around her, making her appear thinner and thinner in the night sky until she dies. This is the blackness of the New Moon – the death Snow White and the death of Asenath.
Only now can the dead New Moon Selene meet the handsome Helios – an orbital arrangement that can only happen at the New Moon, when Selene is dark and dead. This is Joseph-Helios meeting Asenath-Selene or the Princely-Helios meeting Snow White Selene. The celestial prince and princess then kiss, at the beginning of a Solar eclipse. And as the eclipse proceeds Helios-Joseph-Prince and Selene-Asenath-Snow-White can be seen in flagrante delicto in their celestial bridal chamber in the heavens above, locked in their orbital embrace.
So the fairytale of Snow White is as old as the Moon, and as old as the Gospels. Of course this does not imply that Joseph and Asenath or Jesus and Mary Magdalene were mythical characters. Royalty were expected to mimic the celestial gods in the heavens above, so the celestial syzygy and eclipse had to take place in the royal bridal chamber, as well as in the heavens above.
As Above, So Below. A royal-celestial syzygy. A cosmic consummation.
Images: a. Helios-Sun rides his chariot across the heavens. b. Helios with his Sun-ray crown and purple cloak, on a Nazarene Jewish zodiac. c. Helios-Joseph-Prince kisses Selene-Asenath-Snow White, to bring the dead New Moon back to life. d. Helios-Joseph-Prince and Selene-Asenath-Snow White, with the tower of Repunzel-Mary-Magdalene in the background.
Reposted from Ralph Ellis
Helios-Sun rides his chariot across the heavens.Helios with his Sun-ray crown and purple cloak, on a Nazarene Jewish Zodiac.Helios-Joseph-Prince kisses Selene-Asenath-Snow White, to bring the dead New Moon back to life.Helios-Joseph-Prince and Selene-Asenath-Snow White, with the tower of Repunzel-Mary-Magdalene in the background.
Is there a connection to Shiva and Pan, the Green Man and the Horned God of antiquity?
Throughout the world and throughout history, we find certain archetypal gods of nature have served as the basis for fire worship and worship of the Earth itself. These gods of nature take many forms, but have underlying similarities, of which two of the most well-known are Shiva of traditional Hinduism and Pan of ancient Greek culture. A third god, the Green Man, is a common figure in European culture and folklore, while a fourth, the Horned God associated with European witchcraft is closely related to both Pan and the Green Man. Let us examine the parallels between these 4 gods, and argues that each embodies the same core values and principles, but manifests them in different ways.
Shiva, Pan, the Green Man & the Horned God
Shiva is a major deity in Hinduism, and is most commonly associated with destruction and transformation. He is known by many other names, such as Mahadeva (“Great God”), Maheshvara (“God of Destruction”), Sadashiva (“Eternal God”), and Rudra (“Roarer”). Shiva is commonly depicted as a fierce, wild and untamed figure, and is sometimes seen as a symbol of death, but also of resurrection and renewal.
Pan, who is known by many other names, is a Greek god of nature, the wild, shepherds, flocks, and hunting. Pan is often depicted with the hindquarters, horns, and ears of a goat and is often seen as a highly sexual figure. He has a long history as a god of fertility and is associated with the god Dionysus, who is associated with intoxication, erratic behaviour, and nature’s uncontrollable forces.
The Green Man is an ancient figure found in many European cultures and is often depicted with leaves or foliage sprouting from his body or face. He is usually considered an embodiment of the natural world and is often seen as the personification of the cycle of life, growth, death, and renewal found in nature.
The Horned God, who has many names and manifestations, is closely related to Pan, and like Pan and the Green Man, he is seen as a God of nature and fertility. He is commonly depicted with horns, as well as a beard and often with a club or other weapon. This figure is closely associated with European witchcraft, and has been called a “lord of the forest” and the personification of masculine power and strength.
Similarities Between the Gods
The four figures discussed above share a number of striking similarities. They are all closely associated with nature, particularly with wilderness and the cycles of life and death found in nature. They also share a close association with fertility and with the power of wild and possibly dangerous forces. All of them are seen as embodiments of masculine energy and strength, but also as symbols of renewal and transformation.
In addition, all of the figures are often seen as symbols of fire, and each has his own connection with that element. Shiva is often described as the god of fire, and the sign of his third eye is the symbol of the flame. Pan is often thought of as a god of fire, while the Green Man is a symbol of burning and rebirth, of which fire is an important part. Lastly, the Horned God is closely associated with bonfires and flame, and is a powerful symbol of the regenerative power of fire.
Shiva, Pan, the Green Man, and the Horned God – share many similarities. Each is a god of nature associated with fertility, regeneration, strength, and power. Furthermore, each is imbued with the element of fire, which is a powerful symbol of transformation, life and death. Despite their apparent differences, they can be seen as manifestations of a single, underlying idea: the timeless power of nature, and the forces of life and death that it contains.
Art by Art is Well ????️
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The Narasimha avatar of Vishnu is one of the most popular and important avatars of Vishnu. It is believed to have occurred at the end of the Treta Yuga. The story of Narasimha as told in Hindu mythology is as follows:
The demon king Hiranyakashipu had been granted a boon by Lord Brahma that nothing on earth, neither man nor animal could kill him. Knowing of his invincibility, Hiranyakashipu grew increasingly powerful, prideful and arrogant. As his tyranny worsened, the people of the world started to suffer from his rule.
In response to Hiranyakashipu’s wickedness, Lord Vishnu took the form of Narasimha (half-man, half-lion) in order to save his devotee Prahlada and the people of the world. Vishnu took the form at dusk, knowing that neither Hiranyakashipu nor anyone else would be able to recognize him. Vishnu appeared with terrifying arms, four faces, and power greater than anyone had ever seen before.
When Hiranyakashipu challenged Vishnu to a fight, Vishnu grabbed the demon king and placed him on his lap. Since Hiranyakashipu had been granted that nothing on earth would kill him, and Vishnu was neither man nor animal, the Avatar was able to tear apart the demon king with his fingernails.
This incident marked the end of Hiranyakashipu’s tyranny and the beginning of peace in the world. Vishnu’s act of protecting Prahlada and destroying Hiranyakashipu, demonstrated the power of devotion and taught the world that evil forces will never win in the face of absolute faith and love.
Since then, Lord Vishnu in the form of Narasimha has become one of the most venerated and popular deities in Hinduism. His image can be found in various temples and other places of worship all over the world. Narasimha is also worshipped during festivals and special occasions, usually in the form of prayers and Thirumanjanams (fire sacrifices).
Art by Art is Well ????️
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“We see how the effulgence arising from the Lord Ram, who overcame Ravana in a fair fight, is as brilliant as ever; and since it has an abiding inviolability, no power on earth can undermine it.”
From “God, The Almighty: Commonly Entitled The Second Coming of the Lord,” A Talk Given on the Occasion of the Silver Jubilee of Emperor Haile Selassie I
“The victory of Lord Rama signifies the victory of righteousness and justice. In the same way, we can transform our own lives to a victory of righteousness and justice over all the forces of evil that enslave mankind.”
From a speech given by Haile Selassie I at the 62nd Convention of the Supreme Council of The Order of DeMolay, Washington, D.C, October 2, 1966.
“Lord Rama is an example for whole of mankind, for he was a merciful and just ruler who accepted punishment for his mistakes as readily as he accepted victory for his righteous actions.”
From a speech given on the occasion of the 1975 Silver Jubilee celebrations of Emperor Haile Selassie I.
Haile Selassie I claimed he was a descendant of Lord Rama through his son Kush, who was the father of the Kushites, whom the Ethiopians are historically known as.
Lord Rama & Goddess Sita
Prince of Peace Jah Rastafari
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Prana Mudra is a type of hand gesture used in yoga and meditation. It is used to gather and focus the universal life force, or prana, into the body. Prana is believed to be the life force that animates everything in the universe. Prana Mudra is believed to balance the chakras and enhance overall wellbeing, while also promoting physical and mental health.
History :
Prana Mudra is said to originate from India and is an ancient practice, appearing in texts dating back to the Vedic period (1500 – 500 BC). According to traditional Hindu, Buddhist and yogic texts, Prana Mudra practices were used as an effective way to connect with the life force and bring balance to the body and mind. Prana Mudra is said to have been rediscovered by modern-day yogis and meditation practitioners to bring about healing, creativity, and clarity.
Benefits :
The practice of Prana Mudra is believed to have many benefits for both physical and mental health. It is said to increase energy and vitality, reduce tension and stress, balance the chakras and enhance self-awareness. It is also thought to improve concentration and focus, boost creativity and promote mental health.
How to Perform Prana Mudra :
Prana Mudra is a simple and easy to practice hand gesture. To do Prana Mudra, sit in a comfortable position and place the palms of your hands together. Touch the tips of your ring and pinky finger to your thumb. The index and middle finger should be pointed straight. Keep your hands in this position for several minutes, or as long as it is comfortable. While performing Prana Mudra, focus on your breath and allow the energy to flow freely throughout your body.
Prana Mudra is a simple yet powerful technique that can be used to enhance physical and mental wellbeing. Practicing Prana Mudra is said to increase energy and vitality, reduce stress, balance the chakras and promote mental health. It is an easy to practice and accessible hand gesture that can be done while sitting in a comfortable position and with minimal equipment.
Jesus was often depicted in ancient art doing Prana Mudra
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